Tarantino’s New Beverly Cinema Dives Deep into Adult Cinema Once Again
Quentin Tarantino’s New Beverly Cinema is no stranger to changing narratives and this March, it continues to embrace its risqué origins with a lineup that’s as provocative as it is historical. This follows a successful stint in February where the cinema revisited its days as the Eros, an adult movie theater, with screenings that ranged from hardcore classics to obscure exploitation films.
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The cinema, known for its dedication to presenting films in their original formats, particularly from Tarantino’s own collection of 16mm and 35mm prints, is set to feature a blend of adult cinema from the 1970s alongside mainstream films that push the boundaries of traditional filmmaking.
A Glimpse into March’s Eclectic Offerings
The programming kicks off with an intriguing double feature: a 1976 adult reinterpretation of “Alice in Wonderland” featuring Playboy Playmate Kristine DeBelle, and a similarly themed ’70s version of “Cinderella” produced by Charles Band. These films are rarely shown and promise a unique cinematic experience.
In addition to these fairy tale adaptations, the New Beverly will also showcase “The Depraved” from Sweden and “Campus Swingers” from Germany, adding an international flavor to the month’s theme. Notably, the groundbreaking gay porn film “Forbidden Letters” will also be screened, marking its importance in the genre’s evolution.
Stalwarts of the adult film genre like Russ Meyer and Radley Metzger will be featured in double bills, highlighting their significant contributions to the industry. The cinema will also screen works from European provocateurs such as Jess Franco, alongside Hollywood films like Adrian Lyne’s “Lolita,” Paul Verhoeven’s “Showgirls,” and “Henry and June” by Philip Kaufman, the first film to receive an NC-17 rating.
Art House Meets Adult Cinema
The New Beverly also pays homage to European art-house giants with films like Luis Bunuel’s “Belle de Jour,” Bernardo Bertolucci’s “Last Tango in Paris,” Federico Fellini’s “Casanova,” and Pier Paolo Pasolini’s “The Decameron.” These screenings provide a stark contrast to the more explicit titles in the lineup, offering a broader perspective on cinematic explorations of adult themes.
Exploitation cinema is not forgotten, with a must-see double feature that includes the Jonathan Demme-scripted “The Hot Box” and Stephanie Rothman’s “Terminal Island.” These films exemplify the gritty, adventurous spirit of the genre, promising audiences a thrilling experience.
Highlighting the month’s special screenings, “Behind the Green Door,” an iconic title from the golden age of porn which premiered in 1972, will be shown. Directed by siblings Artie and Jim Mitchell, the film is revered not just for its adult content but for its ambitious, artistic approach to the genre. Its screening in 35mm is a rare opportunity for cinephiles and enthusiasts of the genre alike.
As Quentin Tarantino’s New Beverly Cinema continues to explore its historical roots while pushing the envelope with a bold cinematic slate, March promises to be a month of both reflection and forward-thinking innovation in film. This blend of adult and art-house cinema, alongside cult favorites and mainstream boundary-pushers, ensures that there’s something to intrigue every film enthusiast.
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Claude Merritt explores the world of entertainment with a keen eye. From music to film, TV series, and popular culture, he covers celebrity news and American cultural trends with a lively and critical approach.
